Say it once.
Then direct it.
Describe the video you want and the first take lands in about a minute, picture and sound together. After that you stop prompting and start directing. One note at a time, each one a brand new take, with everything you already made still sitting right there.
Free to start. No credit card.
A note. A take. Nothing lost.
Give a note the way you would on a set. Director Mode shoots a new take that remembers the one before it. Change your mind and the take you liked is still right there, one click back.
Give it a note
Each note shoots a new take. The old ones stay exactly where they were.
Take thread
1 of 30Click any take to bring it back. Star the keeper so the cut knows which one you meant.
The rule of the room
Nothing you make is
ever overwritten.
Takes stack into a thread you can branch from, star, and come back to a week later. There is no undo to be afraid of, because there is nothing to undo.
Fast while you explore. Cinematic when it counts.
The tier is a per-take decision, not a plan you are locked into. Rough something out on the quick one, then shoot the keeper on the good one.
The one you explore in.
Try three versions of a shot before lunch. Flash is where you live while you are still working out what the video actually is.
- Clip length
- Around eight seconds
- Frame shapes
- 16:9 and 9:16
- References
- One opening frame
- Best for
- Drafts, tests, social cuts
The production
Build it scene by scene.
Open the next moment and it picks up exactly where the last scene's chosen take left off. Same world, same cast, next beat. Star a keeper in each scene, then play the whole thing through as one film or hand it to Final Cut.
- Up to two hundred scenes in a single production.
- Every scene keeps its own take thread, so a rework never touches the rest.
- Reorder scenes on a timeline and trim, crop, or resize any clip in place.
Capture a face once. Keep it for the whole film.
Pause any take, draw a box around whoever deserves an encore, and they join your library as exact pixels. A full turnaround comes with them, so they hold their look from every angle in every scene you stage them into.
Turnaround sheet
Scenes in one production
Takes per scene
Angles per cast member
In a single unbroken take
Everything a shot might need, one tap away.
Start from your own pixels
Attach a photo as the opening frame, or a stack of references so the shot is built from the exact look you already have. Up to thirty on the top tier.
Lighting you pick by looking
Sixteen setups, each one photographed on the same stand-in so you choose a look by seeing it rather than by reading its name.
Bring your own footage
Upload a clip you already shot and direct it the same way. Every note becomes a new take, and the original is never touched.
Story Mode
Describe a film once. You get a cast, a style register, and a shot list you can edit, then roll the whole thing shot by shot.
Lyric videos
Upload your song and the words land on the picture in time with it, in a look you pick from a shelf of eighteen.
An audio desk
Score, voice, effects, and per-scene levels on one timeline, with ducking under narration so nothing fights the words.
Final Cut
Every starred take assembled into one film with transitions, narration, and a soundtrack, ready to download.
Perform
Attach an audio track and the person on screen performs it, or point it at footage you already have and re-voice that instead.
Six frame shapes
From 21:9 to 9:16, picked once for the production so every scene cuts together instead of fighting the format.
Four moves, start to finish.
Describe it
Type the video you want and hit send. Attach a photo if the shot should start from something real. Take one lands in about a minute.
Direct it
One note at a time. Warmer light. Make it rain. Every note is a new take that remembers the last, and the thread keeps all of them.
Assemble it
Star the keeper, open the next scene, and keep going. Each scene continues from the take you chose in the one before it.
Cut it
Trim, score, narrate, and export the whole production as one film. Or grab the scenes in order and cut it somewhere else.
And in chat
Not every video needs a whole studio.
Ask Theo for a clip in an ordinary conversation and it renders right there in the thread. When the idea turns out to be bigger than one shot, carry the prompt straight into Director Mode and keep going.
Video in chatThe things people ask.
What is Director Mode?
How is that different from writing a better prompt?
Can I keep the same character across scenes?
Can I make a whole film, not just one clip?
Can I direct footage I already shot?
What does it cost to try?
Step onto the set
Describe a video, watch it roll, then direct it take by take. Free to start, and nothing you make is ever overwritten.